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Connie Francis, Whose Ballads Dominated ’60s Pop Music, Dies at 87

Obituaries|Connie Francis, Whose Ballads Dominated ’60s Pop Music, Dies at 87

https://www.nytimes.com/2025/07/17/obituaries/connie-francis-dead.html

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Ms. Francis, who had a natural way with a wide variety of material, ruled the charts with songs like “Who’s Sorry Now?” and “Don’t Break the Heart that Loves You.”

Connie Francis sits on a couch, wearing jeans and a collared shirt, in a black and white image.

Connie Francis in 1978. Credit...Wally Fong/Associated Press

July 17, 2025, 7:07 a.m. ET

Connie Francis, who dominated the pop charts in the late 1950s and early ’60s with sobbing ballads like “Who’s Sorry Now?” and “Don’t Break the Heart that Loves You,” as well as up-tempo soft-rock tunes like “Stupid Cupid,” “Lipstick on Your Collar,” and “Vacation,” died on Wednesday. She was 87.

Her publicist, Ron Roberts, announced her death in a post on Facebook.

Petite and pretty, Ms. Francis had an easy, fluid vocal style, a powerful set of lungs and a natural way with a wide variety of material: old standards, rock ‘n’ roll, country and western, and popular songs in Italian, Yiddish, Swedish and a dozen other languages.

Between 1958 and 1964, when her brand of pop music began to fall out of favor, Ms. Francis was the most popular female singer in the United States, selling 40 million records. Her 35 Top-40 hits during that period included 16 songs in the top 10, and three No. 1 hits: “Everybody’s Somebody’s Fool,” “My Heart Has a Mind of Its Own” and “Don’t Break the Heart That Loves You.”

She was best known for the pulsing, emotional delivery that coaxed every last teardrop from slow ballads like “Who’s Sorry Now?”, and made “Where the Boys Are” a potent anthem of teenage longing. Sighing youngsters thrilled to every throb in “My Happiness” and “Among My Souvenirs.”

“What struck me was the purity of the voice, the emotion, the perfect pitch and intonation,” said Neil Sedaka, who wrote “Stupid Cupid” and “Where the Boys Are” with Howard Greenfield. “It was clear, concise, beautiful. When she sang ballads, they just soared.”

Her song “Pretty Little Baby” had a TikTok-fueled resurgence this year, trending for weeks on the social media app and soaring to top spots in Spotify’s Viral 50 global and U.S. lists.


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